Often, an artist is limited by the tools they have at their disposal.
When the artist’s vision becomes greater than the tools at hand, then it
is time for discovery. In Lyric Theatre @ Illinois’ production of
Oklahoma!, the dream ballet sequence became a canvas for exploring the
relationship between technology and live performance. Using
TouchDesigner, I developed a system of generative visuals that
dynamically adapted to the environment in real time. The software
responded to two key inputs: the intensity of the stage lighting and the
movements of the performers. These factors influenced the evolving
patterns, colors, and textures projected on stage, ensuring that each
performance was unique. By relinquishing direct control to the software,
I shifted from the role of an artist to that of an architect, designing
a framework for the media to interact organically with its
surroundings. The result was a vivid, immersive experience, where the
media became an active participant in the storytelling. The project not
only enhanced the aesthetic of the production but became a base in which
to explore, and research, generative art in live theater.
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